ob ich da schwach werde? ob ich da schwach werde?
Busiek und Bagley sind schon ein tolles Team und dann noch self-contained!
hm?!?!?!?!?!??!! 
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Ist leider nix für mich.
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Mein Verkaufsthread
DVDs, Spiele und CDs bei EBAY
DC Universe #0
https://forum.newsarama.com/showthread.php?t=146145
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Kurt Busiek über Trinity
https://www.comicbookresources.com/news/newsitem.cgi?id=12937
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Laut dem Newsarama interview it JGJOnes erst bei Ausgabe 2
ob das gut enden wird?
https://forum.newsarama.com/showthread.php?t=146359
| ob das gut enden wird? https://forum.newsarama.com/showthread.php?t=146359 |
Bei Wanted gab es auch grössere Verspätungen und das waren bloss 22 Seiten mit wenig Charakteren und wenig editoriellem Einfluss.
Es gibt ja gewisse Leute die immer sagen, dass sich Vertigo Titel viel besser verkaufen als Superhelden und dies besonders im Buchhandel. Ich habe immer gesagt, dass dies nicht stimmt und nun haben wir es schwarz auf weiss:
These titles tracking (especially, to me, 52) says that the oft-repeated line that the bookstore environment isnt interested in superhero comics, especially ones tied to continuity, is clearly wrong. In particular, 52 v1 outsells every Vertigo title except for V For Vendetta and Sandman v1. Thats hardly a sign of a market rejecting the superhero genre, in my opinion.
Not one of the Minx titles makes the Top 750, nor does any CMX title except for Megatokyo, which is OEL. Looking deep into the Long Tail, Minxs Plain Janes sells 3201 copies, none of the other four Minx titles even manages to crack a meager 800 copies sold in the bookstore environment. Arent those books specifically designed for the bookstores, and the customers that shop there?
Theres a lot of conventional wisdom that suggests that things like the Minx and Vertigo books sell oodles and oodles better in the bookstore market than the do in the DM, but I have to tell you, now that Im looking at the full BookScan list, I can guarantee you that this is simply false. Now that I can see into the Long Tail, what I can tell you is that, while the bookstore market can (potentially) sell more copies of the top of the bookstore-oriented material, on anything else the DM beats them handily.
https://www.newsarama.com/Tilting2_0/Tilting49.html
| TIMELY COMICS There's been a lot of fuss of late about late comics. How they damage publishers, retailers, brands and consumer loyalty. Well, DC are taking a stand and it's gong to be brutal for some. Sources close to freelancers inform me that DC Comics has a new in house policy for pencillers. Aside from very specific contracted creators (such as Jim Lee), any penciller contracted to work on a monthly book must deliver complete turnaround of 22 pages of work in four weeks. Not a month, four weeks. If that schedule isn't maintained, they'll pull pages and assign them to other creators. And you may run short of future work. A reduction in quality is more acceptable than a reduction in quantity. Specific examples I've been given include the recent issue of "Wonder Woman" was half Dodson and half Ron Randall. Also why Koi Turnball was dropped from "Jack Hawksmoor." And it has been pointed out that there are already three fill-ins on the new "Legion" schedule. Creators are also being dropped from exclusive contracts over this new regime. Expect certain publishing vultures to swarm. |
Dc betreibt dies jetzt schon seit Monaten und Marvel in letzter Zeit auch.
Lieber 22 gute Seiten von 2 Artists, als 22 verkorkste von einem.
| Dc betreibt dies jetzt schon seit Monaten und Marvel in letzter Zeit auch. Lieber 22 gute Seiten von 2 Artists, als 22 verkorkste von einem. |
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